WINGS OF ISIS
Recycled aluminium wings created for a THIRD EYE FESTIVAL in Australia. The centre parts move in opposite directions by the wind.
ODE TO MY LOVER
Fluorescent banner of the illustration ODE TO MY LOVER 2, size 2.5 x 3 meters. It is painted on see through fabric so it looks like a drawing suspended in the air. On both sides you can see the fluorescent image.
THE VESTA GODDESS
Costume and jewellery created for an Eye of Horus Cosmetics presentation of their Vesta Lipstick at the Beauty Expo Australia in Sydney.
I loved working on this shoot with the women of EYE OF HORUS COSMETICS, ELVIS SCHMOULIANOFF/mua and DONATELLA PARISINI/photography in the studio of Donatella Parisini, Byron Bay, Australia. Besides being the p.a. of the photographer I also created the first two costumes for an advertising campaign to promote their new products.
THE GOLDEN GODDESS
Costume created for THE GOLDEN GODDESS campaign of EYE OF HORUS COSMETICS on the beach of Byron Bay, Australia.
DONATELLA PARISINI/photography PARIS AMBROSE/mua BRUCE MANN/hair LOUISE LASSAY/costume
THE MERMAID an artistic collaboration with DONATELLA PARISINI/photographer, ELVIS SCHMOULIANOFF/mua and headpiece, ELLE MAY SMITH/model and LOUISE LASSAY/costume in Byron Bay, Australia.
After many weeks of preparations and many hours of body painting we were on our way to do the shoot on a secluded beach in Byron Bay, Australia for the shoot.
THE MERMAID V.I.P. crew’s euphoria after the shoot.
THE MERMAID was featured in the VISUAL ARTISTRY MAGAZINE.
ISIS on the beach of Byron Bay in Australia and on the catwalk at THE BYRON BAY INTERNATIONAL FASHION FESTIVAL for EYE OF HORUS COSMETICS
with ELEGANT SOLUTIONS/photography, ELVIS SCHMOULIANOFF/mua and head piece, LOUISE LASSAY/costume and wings and KAIT PROVAN/model.
THE LOVE BUG
DONATELLA PARISINI/photography ELVIS SCHMOULIANOFF/mua BELLA GARDNER/model LOUISE LASSAY/head piece
The gorgeous Jessie James as the Giant Mesquite Beetle.
The divine Elle May Smith as the Goliath Beetle
The whole series is featured in the September issue of Dpi Magazine